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Bring the Noise
From Wikipedia:
“Composers such as Charles Ives, Dane Rudhyar, Duke Ellington, and Lou Harrison connected the emancipation of the dissonance with the emancipation of society and humanity. Michael Broyles calls Ives tone-cluster-rich song “Majority” as “an incantation, a mystical statement of belief in the masses or the people” (Broyles 1996, 125). Duke Ellington, after playing some of his pieces for a journalist, said, “That’s the Negro’s life … Hear that chord! Dissonance is our way of life in America. We are something apart, yet an integral part” (Ellington 1963, 150). Lou Harrison described Carl Ruggles‘s counterpoint as “a community of singing lines, living a life of its own, . . . careful not to get ahead or behind in its rhythmic cooperation with the others” (Harrison 1946, 8). Rudhyar gave the subtitle “A New Principle of Musical and Social Organization” to his book Dissonant Harmony, writing, “Dissonant music is thus the music of true and spiritual Democracy; the music of universal brotherhoods; music of Free Souls, not of personalities. It abolishes tonalities, exactly as the real Buddhistic Reformation abolished castes into the Brotherhood of Monks; for Buddhism is nothing but spiritual Democracy” (Rudhyar 1928, 10–11).”
Janey Macken Street! 